PANASONIC PT-AE8000 3D LCD PROJECTOR
Latest in a long running series
of Panasonic LCD home theatre projectors the PT-AE8000 looks quite identical to
the PT-AE7000 it replaces. Purring
'under the hood' however is a revised optical and video engine that are said to
enable the PT-AE8000 some pretty significant improvements over its well received predecessor.
For starters the PT-AE8000 is
said to be at least20% brighter with up to 2400 Lumens of light output compared
to 2000 Lumens of the PT-AE7000. A new
220 watts Red Rich lamp replaces the 200 watts UHP unit used in the older
model.
The PT-AE8000 also claims a
higher contrast ratio of 500,000.1 (compared to 300,000.1 of the PT-AE7000).
Upfront, this means that videophiles can
expect a picture that is perceivably punchier
with improved detail and a richer, more saturated colour palette.
This visual improvements is a boon
to 2D as well as 3D viewing, especially in the latter using an active 3D format
whereby every lumen of brightness is crucial in reproducing a convincingly
impressive 3D performance.
Other less obvious but equally
critical improvements include a re-worked Detail Clarity Processor that when used judiciously offers
perceivable increase in visual details, such as facial hair detail or the intricate
weaves of an actor's costume. A more tightly
designed LCD panel featuring Panasonic's
proprietary Pure Contrast Plates accounts for a sharper image with improved
black levels. In addition, a 3D Motion Remaster, which while not completely
eliminating 3D crosstalk, have at least kept this annoying 3D artefacts in the
PT-AE8000 to the minimum.
Other interesting videophile features of the PT-AE8000 includes
Lens Memory with up to six settings, used primarily for selecting the different
aspects ratios on a constant height 2.35.1 Cinemascope style screen, a dynamic
Iris for optimum black/contrast ratio performance, 3 HDMI 1.4 inputs,
mechanical horizontal and vertical lens shift for optimum projector to screen
set-up.
Additionally the PT-AE8000 also
offers electronic zoom and focus allowing a more precise screen close up focus
adjustment, 7 pre-set picture modes and a 5,000 hour lamp life on the
economical mode.
The great news is that the PT-AE8000
has managed to achieve all that while sustaining the same RM14,999 price that
the older model went for.
In use, the PT-AE8000, firing
into a 100's Stewart Filmscreen Firehawk screen threw a palpably brighter
picture with excellent, fine visual detail that tended to be 'smoothed' ever in
the older PT-AE7000. Although the PT-AE7007 was by no means a
slouch in brightness department the extra
lumen of the PT-AE8000 made critical 3D enjoyment that much more
enjoyable.
In practice the PT-AE8000 should
be able to project a larger picture without loosing resolution and
brightness. It should also be able to
retain its contrast ratio performance
even when used in a room with a higher ambient light although we recommend that
room ambient lights be critically controlled for optimum performance.
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